Practical counsel for talent, producers, production companies, studios, networks, streamers, and anyone building in the creator economy. From first conversation through signatures and delivery.
California Bar admitted. Based in Los Angeles, CA.
"We aim to be the team that makes it easier for creative and business partners to say yes — with terms that are aligned, defensible, and workable in the real world."
— Bliss Legal Studio
We work with the full range of entertainment clients — talent, producers, production companies, studios, networks, streamers, labels, publishers, and creators. Here is where we spend most of our time.
We advise producers, directors, production companies, documentary teams, and studios on every phase of the production cycle — from acquiring the underlying rights through distribution. We are particularly fluent in independent film and documentary production, where every deal must serve both the creative vision and the bottom line.
We advise rights holders, licensees, labels, publishers, and creators on the full spectrum of music rights. Whether you are clearing a live concert for a streaming platform, licensing a catalog for a documentary, or structuring a co-publishing deal, our team brings deep experience from the highest levels of the business — with a commercial perspective that comes from years on the business affairs side.
Beyond deal-specific work, we advise clients on the legal infrastructure that supports a sustainable creative business — from entity formation and standard agreement templates to ongoing general counsel and strategic advice on how to structure relationships with partners, distributors, and collaborators.
Ideal for: producers, directors, production companies, documentary teams, independent studios, and streamers.
Good production legal is not about creating obstacles. It is about identifying the right issues early so the project stays on track. Our team works hands-on through development, pre-production, production, and post, bringing a perspective shaped by having sat on all sides of these deals. We know what buyers actually want, what falls apart at the finish line, and how to structure agreements that survive real-world production.
Our documentary and unscripted expertise runs deep. Complex subject clearances, archival rights, multiple rights holders, overlapping talent interests — we have navigated all of it, including some of the highest-profile documentary sales in the market.
Ideal for: labels, publishers, documentary teams, streaming platforms, concert producers, festival organizers, rights holders, and music-driven content companies.
Music rights are among the most complex and easily mishandled issues in content production. Our background at UMG gave our team an unusually deep understanding of how music rights function across master rights, publishing, synchronization, public performance, digital distribution, and live event licensing. We have cleared music for award shows and festival performances, negotiated synchronization deals for documentaries, and structured catalog acquisitions and co-publishing arrangements.
We understand both the creative value of music and the commercial structures that govern it — which means we can advocate effectively for rights holders and help producers get their projects cleared without blowing the budget.
Ideal for: production companies, talent, independent studios, content creators, influencers, and music-driven content businesses building for the long term.
Deal-by-deal legal work is necessary, but it is not enough. The most successful creative businesses we have worked with also have clean legal infrastructure — clear entity structures, well-drafted standard agreements, and a trusted advisor who understands both the legal side and the business side.
We offer ongoing general counsel relationships for clients who want a senior-level business affairs perspective available on a consistent basis, as well as project-specific engagements for clients who need targeted help with a transaction or situation.
Three things we focus on in every engagement.
We focus negotiations on the issues that actually matter — deal points that affect money, control, and creative flexibility. Everything else is paper. We do not let secondary issues slow down the primary transaction.
Good attorneys find ways to say yes. We bring a business affairs perspective to the legal work — which means we are looking for structures that work for both sides and close deals, not positions that score points but blow them up.
We are organized, responsive, and disciplined about keeping deals moving and getting to close. We know how to maintain momentum through long negotiations and complex multi-party situations without losing what matters to our client.
A sample of deals closed by our team during tenure at UMG / Polygram Entertainment. Shared at a high level.
These are intentionally high-level. We are happy to discuss specifics in a conversation.
Brian and I worked together on several complex multi-party deals. As SVP of Business and Legal Affairs at UMG, he coordinated years-long negotiations spanning multiple companies, artists, and estates simultaneously, managing competing interests with patience and clarity. What stood out most was how he treated every party as a genuine partner rather than an obstacle. Brian is an extraordinary dealmaker and a true connector.
What set them apart was their ability to keep complex multi-party negotiations calm and moving forward. They knew where the real issues were and did not waste anyone's time on the rest. The deal closed on schedule and on terms we could all live with.
Bliss handled one of the most complex music rights clearances I have ever seen on a documentary. They understood the rights landscape, knew what the labels needed, and found a structure that worked for everyone. Exceptional work.
At Bliss Legal Studio, every client works directly with a senior attorney. No hand-offs to junior associates.
Brian has been in the entertainment business for over 20 years, working across every sector of the industry. For eight years he served as SVP of Business & Legal Affairs at UMG / Polygram Entertainment, where he led all film and television dealmaking for the division.
During that time he closed some of the largest documentary sales in the market — including deals with Netflix, Amazon, HBO, Apple, and Lionsgate — and helped build Polygram into a credible, premium content player in music-driven documentary and narrative content.
Brian is a licensed California attorney with deep expertise in production legal, music rights, distribution transactions, and ongoing business affairs counsel. His fluency in both the legal and commercial sides of entertainment is what distinguishes his practice.
Bliss Legal Studio is a Los Angeles-based entertainment law practice focused on film, television, and music rights transactions. We advise talent, producers, production companies, studios, networks, streamers, and creators across every phase of the deal cycle.
Our founding attorney, Brian Alexander, has spent over 20 years in the entertainment business working across every sector — as an agent, a manager, a studio executive, and an attorney. That breadth gives our practice a perspective that is genuinely unusual: we understand what matters to the creative, what matters to the business, and how to find the deal structure that serves both.
We are a boutique practice by design. Every client works directly with a senior attorney who brings real-world dealmaking experience to the table. Our goal is to be the team that makes it easier for creative and business partners to say yes — with terms that are aligned, defensible, and workable in the real world.
California Bar Admitted · Based in Los Angeles · Entertainment law and business affairs
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